The Mediterranean of Van Gogh

My dear Theo,‎

I’m writing to you from Saintes-Maries on the Mediterranean at last. The Mediterranean ‎has a colour like mackerel, in other words, changing — you don’t always know if it’s ‎green or purple — you don’t always know if it’s blue — because a second later, its ‎changing reflection has taken on a pink or grey hue.‎
It’s a funny thing, the family — quite unintentionally, and despite myself, I’ve often ‎thought here from time to time of our uncle the seaman, who has certainly seen the ‎shores of this sea many times.‎

‎(…) I took a walk along the seashore one night, on the deserted beach. It wasn’t ‎cheerful, but not sad either, it was beautiful.‎

The sky, a deep blue, was flecked with clouds of a deeper blue than primary blue, an ‎intense cobalt, and with others that were a lighter blue — like the blue whiteness of ‎milky ways. Against the blue background stars twinkled, bright, greenish, white, light ‎pink — brighter, more glittering, more like precious stones than at home — even in ‎Paris. So it seems fair to talk about opals, emeralds, lapis, rubies, sapphires. The sea a ‎very deep ultramarine — the beach a mauvish and pale reddish shade, it seemed to me ‎‎— with bushes. In addition to half-sheet drawings I have a large drawing, the pendant ‎of the last one. ‎

More soon, I hope. Handshake.‎

Ever yours,‎
Vincent

Seascape by Van Gogh

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